Tennessee Williams News
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Near the end of Michael Bay’s juiced-up true-crime comedy “Pain & Gain,” a caption reminds us that “this is still a true story.”
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Ibrahim Vajzovic sits behind a large wooden desk at First Bosnian Insurance Agency, the company he started in St. Louis eight years ago, and talks about the values of education and hard work. It’s one of three businesses he owns, in addition to teaching a course at Webster University, a liberal-arts college in Webster Groves.
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In the theater, “caveat emptor” invariably means “as reimagined by...” Those words attached to a play’s title are a warning: Watch out. You’re entering Director World.
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When Olive Fisher, the cranky complainer of Charles Busch’s new comedy set in a Manhattan apartment, insists that she’s never started an argument in her life, eyes roll.
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Ann Richards had a mouth on her, as they say.
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Don’t be lulled by Scarlett Johansson’s steamy come-hither look on the posters for “Cat on a Hot Tin Roof.” Her Maggie the Cat is more tigress than the kitty so often portrayed in this role.
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The Comedie-Francaise , France’s oldest and most prestigious theater, has staged the first U.S. play in its 330-year history, Tennessee Williams’s “A Streetcar Named Desire.”
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Take the time to see Christian Marclay’s video installation “The Clock.”
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Scarlett Johansson is guaranteed a minimum of $40,000 a week to add a dose of sex and glamour to the battered Broadway season in “Cat on a Hot Tin Roof,” according to offering papers distributed to investors.
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Naomi Wallace is the first living U.S. playwright to make it into the repertory of France’s oldest and most prestigious theater, the Comedie-Francaise.
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