Sony Pictures Classics News
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Oscar-winning filmmaker Alex Gibney untangles the complex Wikileaks saga and founder Julian Assange’s brilliant, dark mind in the fascinating “We Steal Secrets: The Story of WikiLeaks.”
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Gwyneth Paltrow, Sarah Jessica Parker and Kate Hudson squeezed onto a loveseat last night inside a 31-foot-high Tiffany blue box at Rockefeller Center.
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Tom Cruise patrols a decimated future Earth and jets through the cold dystopia of “Oblivion.”
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Lisa Falcone is sitting at the head of a conference table, rapping to music by Swizz Beatz and waving her tanned arms above her head. She's meeting with the two employees of her fledgling company, Everest Entertainment. Just outside the room, her husband, Philip Falcone, is running his $9 billion hedge fund, Harbinger Capital, but that doesn't hold her back. She produced the song and sings along as it blasts from iPod speakers on the table: "Come on bitches, get your hands in the air, ugly bitches too, we don't care!"
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As a director, Robert Redford has a somber touch; he likes his images clean and autumnal. In “The Company You Keep,” Susan Sarandon and Julie Christie join him as Vietnam-era radicals who have been living under assumed names ever since their group was involved in a botched bank robbery.
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a federal judge in Albany, New York, has recused himself from the patent suit against Apple Inc. related to the iPhone 4s’s Siri virtual assistant.
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Two lawyers who shared leadership of UnitedHealth Group’s legal department are rejoining Hogan Lovells LLP in Minneapolis, where the law firm plans to open a new office.
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“The Artist,” Weinstein Co.’s silent, black-and-white film about an actor with the transition to talkies, was nominated for six Golden Globe awards as Hollywood prepares to honor its best work of the year.
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Cinedigm Digital Cinema Corp., the software and services supplier for digital movie projection, formed a partnership with New Video Group Inc. to buy and distribute independent films in theaters, online and on discs.
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Sony Pictures’ Tom Bernard has come to the Toronto International Film Festival every year since 1978. The event’s growing reputation as a barometer of Oscar potential has more film executives falling for its charms.
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