Roberto Alagna News
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Even a dog can’t run away with the show when Roberto Alagna is on stage. As the sweetly silly farmhand in “L’Elisir d’Amore,” now at London’s Royal Opera House, the tenor hogs the limelight with his seductive voice and athletic belly flops.
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Nov. 27 (Bloomberg) -- French-Sicilian tenor Roberto Alagna recalls his beginnings as a cabaret singer in Paris, his relationship with Luciano Pavarotti and the prospects for his career. He spoke Nov. 9 with Bloomberg's Farah Nayeri in London. (Source: Bloomberg)
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Sex with drugs: it’s an audience magnet as old as the hills. Donizetti knew it. “Enron” author Lucy Prebble works it like a charm too.
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The child murderess drags a guillotine onto the stage, hops on, the blade whizzes down, and her head rolls onto the floor only to be picked up by a pious procession pleased to have found a new relic.
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Kevin Spacey takes on the villainous Richard III, nimbly climbing over the growing stacks of bodies to grab the crown.
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Feel the hazy, psychedelic rock of Tame Impala wash over you at the Bowery Ballroom on Friday night. The trio from Australia creates a swirling cloud of sound a la the Doors or the Stone Roses.
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Head over to the Metropolitan Opera with a sack of cash to buy your way into the new production of Verdi ’s “Don Carlo” with the sensational Roberto Alagna in the title role.
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When John Copley was asked to direct “La Boheme” at London’s Royal Opera, he was told the production had to be good enough to last at least five or six years.
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Angela Gheorghiu, draped in red taffeta with raven hair tumbling down one shoulder, treats a handful of journalists to a Puccini aria.
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Imagine a job interview with a leering shrink.
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