Richard Serra News
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Records were smashed for Jean-Michel Basquiat, Jackson Pollock, Roy Lichtenstein and auctions themselves as Christie’s sold $495 million of contemporary art last night in New York.
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Give Orly Genger enough rope and she’ll astonish.
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In the mid-1960s, a young Richard Serra was working as a furniture mover and experimenting with time, process and material alongside friends such as composer Philip Glass, actor Spalding Gray and choreographer Trisha Brown.
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Rachel Whiteread hasn’t moved on in two decades. For “Detached,” her exhibition of sculpture at the Gagosian Gallery in London, she is doing exactly the same thing as when she first came to fame with “House” in 1993. She is still making casts of the internal space of structures.
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As attacks on account secrecy and the fall from grace of Switzerland’s biggest banks leave Zurich mired in crisis management, another city an hour away is quietly moving ahead.
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The U.S. sculptor Richard Serra won the 2010 Prince of Asturias Award for the Arts, an annual prize conferred by the heir to the Spanish throne.
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The Vatican will have its own contemporary-art pavilion at the 2013 Venice Art Biennale, a first in its 84-year history as an independent state, Biennale organizers said at a news briefing in London.
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Before fleeing to Paris in 1933, Paul Dessau worked in German theater, film and music, and his lively choral piece, “Haggadah shel Pesach,” contains references to Jewish folksongs and cantorial singing.
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The wistful young man in a red tunic, with frizzy brown hair encircling his face like a halo, holds an arrow in his right hand, feather-end up. Is he a soldier’s page? Cupid?
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Loews Corp. Chief Executive Officer James Tisch is the dealmaker who won’t make a deal.
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