Michael Mayer News
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Old photographs adorn the mantelpiece in Lee John Mynhardt’s living room. In one, he’s standing beside his parents and sister. In another, he’s all smiles as he wraps his arms around some college buddies.
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Rigoletto sings his last duet sitting on the bumper of a finned Cadillac. His dying daughter Gilda is in the boot, one arm dangling near the parking lights.
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Hideous to look at and hard on the ears despite star Harry Connick Jr., the Broadway revival of “On a Clear Day You Can See Forever” is dead on arrival.
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Fans of Green Day may well find bliss in “ American Idiot ,” the latest rock concert to pose as a Broadway show. There are six of them, if you’re counting.
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Real diamonds, Marilyn Monroe once cooed, must be worth their weight in gold.
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After a Broadway season in which one play out of 25 was written by a woman (Emma Rice, adapting Noel Coward ’s “Brief Encounter”), accomplished females in theater convened on a New York stage last night for honors of their own devising, the second annual “ Lilly Awards .”
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The seats are soft and the leg room generous at the Signature Theatre off-Broadway, which follows “Angels in America” with an adroit revival of “The Illusion,” Tony Kushner ’s meditation on life in and out of the theater.
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“Everyday Rapture” is Broadway quasi-diva Sherie Rene Scott ’s quasi-autobiography, part fact, part fiction. It had its premiere last season at the intimate off-Broadway theater Second Stage .
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