Magnolia Pictures News
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Baz Luhrmann’s “The Great Gatsby” is a gaudy, Ritz-sized rhinestone of a movie, more flashy than dazzling, beguiling from some angles and phony to its core.
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In “The Angels’ Share” Robbie, a Glasgow hooligan doing community service in lieu of jail time, wants to give his new son a better childhood than he had. But he’s finding it hard to overcome the pull of gang violence.
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Billionaire Mark Cuban has put his Landmark Theatres and Magnolia Pictures up for sale, saying entertainment companies are attracting “huge valuations.”
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Jackie Siegel, the busty, Botoxed trophy wife who steals Lauren Greenfield’s irresistible documentary “The Queen of Versailles,” recalls a family vacation taken after her billionaire husband’s time-share empire went south.
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Eliot Spitzer ’s downfall, Osama bin Laden ’s rise and cheating sumo wrestlers are examined in Alex Gibney ’s triple play at the Tribeca Film Festival.
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Converting “The Exorcist” to Judaism, “The Possession” might be Hollywood’s first horror film to find its avenging hero in a Brooklyn shul.
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Given its unfortunate title, you might think “ Dinner for Schmucks ” is a gross-out comedy. In fact, it’s a sophisticated, clever adaptation of a French film featuring a cute collection of stuffed mice, a blind fencer and a bird that eats out of a man’s mouth.
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The mood of “Melancholia” is set in the opening shot, a close-up of Kirsten Dunst’s gloomy face as she stands on the grounds of a palatial estate.
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Weinstein Co., the film studio led by Harvey and Bob Weinstein, created a new label to simultaneously offer movies in digital and traditional media.
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“You probably think we’re frivolous, empty-headed, perfume-obsessed college coeds,” says one such creature in “Damsels in Distress,” Whit Stillman’s whimsical paean to youthful dreamers. “You’re probably right.”
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