Lillian Hellman News
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Margarethe von Trotta’s “Hannah Arendt” confines itself to the period in the early 1960s, when the German-born thinker covered the trial of Nazi chief Adolf Eichmann for the New Yorker magazine and weathered the firestorm that followed.
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Lillian Hellman ’s “The Little Foxes,” is meant to be a realistic drama about New Orleans 1900, the passing of the Old South and the infighting among the Hubbards. They are the biblical little foxes who spoil the vines.
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An actor needs a great role to show what he or she is really made of. Keira Knightley earns her acting chops with an impressive performance in the lesbian- themed drama “The Children’s Hour” in London.
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In Rinne Groff’s new drama “Compulsion,” at California’s Berkeley Repertory Theatre , a World War II reporter who witnessed the liberation of the camps has returned to New York to make his name as a serious writer.
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It looked like Keira Knightley was heading for a banana-tumble when she boldly decided to swap the movies for the London stage in 2009.
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After a Broadway season in which one play out of 25 was written by a woman (Emma Rice, adapting Noel Coward ’s “Brief Encounter”), accomplished females in theater convened on a New York stage last night for honors of their own devising, the second annual “ Lilly Awards .”
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Rockers get the best of both worlds at Wembley Arena on Friday, from abrasive metal to smooth soul.
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Like Voltaire’s indomitable hero, “Candide” is forever bouncing back, a perennial fixer-upper with the sturdy bones of Leonard Bernstein’s finest score.
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Although Arthur Penn was most celebrated as the director of “Bonnie and Clyde,” his long, distinguished career included at least five other enduring films.
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