John Lithgow News
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One aggressive bump ’n’ grind movement might look suitably brutal and randy on stage. Twenty bumps ’n’ grinds look like desperation.
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John Lithgow stood motionless in front of a wall of Willem de Kooning’s paintings at the Museum of Modern Art last night.
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David Auburn’s intensely satisfying new drama “The Columnist” has as much to do with journalism as “Proof,” his Pulitzer Prize winner, had to do with mathematics.
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Thirty-four years ago, in “The World According to Garp,” John Irving created a transsexual for the ages in a former football player named Roberta Muldoon. (John Lithgow played her in the movie.)
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Caracas has lots of musicians, but now and again as you stew in agonizingly slow traffic staring out at heaps of refuse lining many avenidas, you might wish for a few traffic cops and energetic garbage men.
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An adorable baby and the beloved pooch from “The Artist” get sucker-punched in “The Campaign,” and they’re barely the easiest of the comedy’s targets.
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Today is the start of Madison Avenue Watch Week, offering the latest technologies from such makers as Porsche Design and Breguet, along with antique and historic timepieces.
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This season’s Bible-based plot of “Dexter” wasn’t much of a revelation. Even a gimmicky “Fight Club” twist couldn’t elevate the Doomsday Killer (Colin Hanks) into the show’s pantheon of memorable murderers.
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“Dressed to Kill” and “Blow Out,” provocative films made by Brian De Palma in the early 1980s, still have the power to shock.
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See what’s happening among “The Ungovernables,” about 50 young artists who are part of the New Museum’s 2012 Triennial, many of whom have never been shown in this city.
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