IFC Films News
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J.J. Abrams’s “Star Trek Into Darkness” is so much better than it needs to be you just might regret decades of smirking at Trekkie convention-going geeks.
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Near the end of Michael Bay’s juiced-up true-crime comedy “Pain & Gain,” a caption reminds us that “this is still a true story.”
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Barbra Streisand and Seth Rogen look nothing alike, have different comedy styles pitched to different generations and, when they’re sitting in a car together, seem to inhabit separate worlds.
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Cinedigm Digital Cinema Corp., the software and services supplier for digital movie projection, formed a partnership with New Video Group Inc. to buy and distribute independent films in theaters, online and on discs.
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“Hitchcock,” director Sacha Gervasi’s lively stroll through the id of a murder-obsessed genius, is a lot more fun than “The Girl,” HBO’s recent portrait of the artist as an old pervert.
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For a drug-cartel thriller pasted onto a sentimental family drama, “Snitch” is surprisingly (probably unnecessarily) classy.
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Carl used to worship Jerry Garcia. Now he’s a Jesus freak.
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Don Draper and zombies may be enough to entice News Corp. and Walt Disney Co. to chase the most expensive American media takeover in five years.
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I’ll never be able to watch Michael Caine again without thinking of “ The Trip ,” a mockumentary in which British comedians Steve Coogan and Rob Brydon do sidesplitting imitations of various movie legends.
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To paraphrase that Middle Earth golden oldie, the road goes ever on and on -- and then on some more -- in Peter Jackson’s “The Hobbit: An Unexpected Journey.”
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