Eugene O'Neill News
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Many call him a modern Strindberg. Lars Noren, Sweden’s most prolific playwright, hates being compared to his famous countryman.
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Eugene O’Neill’s “A Long Day’s Journey Into Night” is three hours of misery, despair and dysfunction in search of a plot. It’s also a superb vehicle for great actors with the requisite theatrical chops. A new production offers three dazzling and passionate performances.
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Highbrow movie types always hesitated to include Sidney Lumet in the pantheon of great directors. They say he lacked a distinctive style, a personal vision.
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Sidney Lumet , the director of “12 Angry Men,” “Dog Day Afternoon” and “Network,” whose films explored themes of injustice and used the gritty streets of New York as a supporting character, has died. He was 86.
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Jude Law has gotten an Irish accent, grown a beard, and gone to the gym. When he flops semi-naked out of a stormy sea in “Anna Christie,” the barometer sizzles.
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“Rebecca” is a ghost story all right.
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For my money, Katharine Hepburn was America’s finest actress. But America’s finest clothes horse?
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The Hotel Chelsea, a Manhattan landmark where Bob Dylan , Andy Warhol and Eugene O’Neill once lived, was put up for sale by the families that owned and operated it for more than 65 years.
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Jude Law never looked scruffier.
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The Flying Karamazov Brothers have been around for four decades, joking and juggling with everyone from the Grateful Dead to the Cincinnati Pops.
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