Chuck Close News
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People walk through a downpour yet never get wet.
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Pace Gallery President Marc Glimcher and his wife, Andrea, rocked out to the Ramones’ “I Wanna Be Sedated.”
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A horse costume lay on a glossy white vanity in Sarah Michelson’s dressing room; Sam Lewitt offered tiny spinning spheres emerging from what looked like an oil slick; and framed pages of an old celestial handbook turned up on the walls throughout the museum, placed there by Lutz Bacher.
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“Two laps around the room, no more than one glass of wine,” said art dealer Larry Gagosian last night at the New York Observer’s 25th anniversary party.
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The $26 million Parrish Art Museum takes the form of a long barn rooted in a meadow off Montauk Highway in Water Mill, 100 miles east of New York City.
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A bassoon-player, a photographer of Appalachian snake handlers and an 82-year-old painter are among 25 winners of AOL Inc.’s new $25,000 grants for creative work.
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Billionaire David Koch said Bo Derek came to mind as he watched the Paris Opera Ballet’s opening- night performance of “Bolero” at Lincoln Center.
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Billionaire collectors are gathering for the contemporary-art market’s latest test as volatile financial markets threaten to slow big-ticket spending.
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When Seoul’s Jungsik opened a New York spinoff late last year, the prix fixe menu was $125, the same price as the three-Michelin starred Eleven Madison Park. Bold move.
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At the Whitney Museum of American Art’s fall gala last night, the honoree was not an artist, a financier or a celebrity. It was Calvin Tomkins, who has profiled 95 artists for the New Yorker magazine.
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