Anish Kapoor News
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Our hands fly to our ears as a deafening blast reverberates through the halls of the Martin Gropius Bau in Berlin.
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The first thing you see is a fog sculpture.
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An air-powered cannon soon will blast blood-red gobs of wax into the corner of a Bollywood landmark.
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In 2011, Russian billionaire Leonid Mikhelson helped pay for a giant stainless-steel slide during a retrospective by Belgian artist Carsten Holler at the New Museum of Contemporary Art in New York. It was the most popular exhibition in the museum’s 35-year history.
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On an overcast day in London, the city’s mayor, the chief executive officer of the world’s biggest steelmaker ArcelorMittal, and artist Anish Kapoor congregate at the top of the U.K.’s tallest sculpture.
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A small band of evaluators is driving the prices for paintings and sculpture as the market rises.
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As the fine art market rebounds from a two-year slump, investors should consider what happened when two established appraisers were called upon to place a value on Hole and Vessel II, an abstract sculpture by Anish Kapoor .
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Assistants raced to construct a 26- foot-high steel orb in time for the opening. Anish Kapoor, creator of the piece, balanced on the edge of a Le Corbusier chair in the gallery’s waiting room, looking rather calm.
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An exhibition has opened in London with, if not everything, virtually everyone in it: Romans, Greeks, Indians, Germans, Chinese and Africans, plus Picasso, Donatello, Matisse, Ghiberti, Anish Kapoor, possibly Leonardo da Vinci, and certainly his nephew.
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A Joan Miro painting priced at $8 million was among the flurry of big-ticket sales last night at FIAC as Paris’s biggest contemporary art fair faced the twin threat of local wealth taxes and an expanded Frieze in London.
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